Tuesday, May 31, 2011
Turn me on
I. Can't. Wait.
Last time I saw The Grates, someone stopped me mid-dance move and asked me if I was a member of the liturgical dance group at school.
Yes.
Yes I was. But I liked to think of it more as interpretive dance without the whole god-worship thing though.
Cactus
x
Thursday, May 26, 2011
'Boom ba Boom Ba...'
Kimbra is a goddess.

Fact.
Signed at 16 and hailing from New Zealand, the part soul/part pop/part cabaret singer now resides in Melbourne and you'd probably recognise her vocals featuring on Miami Horror’s hit ‘I look to you’.
When I saw her at the Oxford Art Factory recently, there was an audible grown when she mentioned her boyfriend which just further proves my theory: you can't watch Kimbra without falling in love. At the ‘Cameo Lover’ single launch, Kimbra took the stage in green-suede wedges and a tutu. Her voice shook the room and set my teeth on edge. She played tracks from her forthcoming album ‘Vows’ which promises to be a mash-up of pop, soul, big band and jazz. A highlight was her rendition of Nina Simone’s ‘Plain Gold Ring’ using voice loops, the songstress conveyed heartbreak beyond her twenty years.
She’s been promising Vows will be out by August – my fingers are so tightly crossed I can barely feel them.
Love,
Cactus
x

Fact.
Signed at 16 and hailing from New Zealand, the part soul/part pop/part cabaret singer now resides in Melbourne and you'd probably recognise her vocals featuring on Miami Horror’s hit ‘I look to you’.
When I saw her at the Oxford Art Factory recently, there was an audible grown when she mentioned her boyfriend which just further proves my theory: you can't watch Kimbra without falling in love. At the ‘Cameo Lover’ single launch, Kimbra took the stage in green-suede wedges and a tutu. Her voice shook the room and set my teeth on edge. She played tracks from her forthcoming album ‘Vows’ which promises to be a mash-up of pop, soul, big band and jazz. A highlight was her rendition of Nina Simone’s ‘Plain Gold Ring’ using voice loops, the songstress conveyed heartbreak beyond her twenty years.
She’s been promising Vows will be out by August – my fingers are so tightly crossed I can barely feel them.
Love,
Cactus
x
Gosh I want, want, WANT these
So I'm ignoring the elephant in the room (that Cactus washttp://www.blogger.com/img/blank.gif supposedly a dead blog) and am moving right on to the important things: shoes, or clogs rather.


Aren't these divine? I've been contemplating some Funkis clogs all year now...and although the weather is far from perfect for clogs, something is telling me to reach into my wallet for that maxed out credit card and buy, buy, buy!
Does the phrase 'blogger turned designer' confuse anyone else?
Just saying'
Cactus
x


Aren't these divine? I've been contemplating some Funkis clogs all year now...and although the weather is far from perfect for clogs, something is telling me to reach into my wallet for that maxed out credit card and buy, buy, buy!
Does the phrase 'blogger turned designer' confuse anyone else?
Just saying'
Cactus
x
Monday, December 6, 2010
Coulda Woulda Shoulda

Coulda: bought this damn fine cosi from the Finders Keepers on the weekend
Woulda: looked like a fabulous Siren by the poolside on my pacific island holiday and equally retro-chic at pyramid rock with all the hipsters
Shoulda: been more irresponsible with my cash
Cactus
x
Monday, October 11, 2010
Short Notice
So have you been listening to triple j over the last few days? If you haven't here's the story up 'til now...
I was walking to work on Wednesday morning. It was a nice day: clear and crisp. I was having one of those 'isn't life great' moments. I was listening to triple j when Tom Tilley came on air and told Tom and Alex a predicament he was in: gig booked for Saturday night...but no one in his band could make it. Ummmmm.....help?
Alex piped up, keen to offer his keytar skills, Tom was then volunteered to play keys/synth. They recruited Lewi McKirdy from weekends for sticks and skins, and Damo from the web team on guitar. But no singer. What was the logical thing to do? Put a call out to triple j listeners.
'How funny would it be if I called?' I thought. But didn't and kept walking.
Some lamo guys who liked Pearl Jam phoned and threatened to make Tom Tilley like Pearl Jam (or else). And that's when the boys asked for a 'lady singer' to call up.
If that not a direct request, I don't know what it.
So I called and got through to their producer Ollie. I asked Ollie if the boys were joking. They weren't - he put me through. After screening me for availability and what music I was loving at the moment, I was in the band. Shit.
I waited for a set list that came through lunch time Thursday and freaked quietly when I realised what I'd volunteered myself to do: learn seven songs in two days. what was I thinking? The air wasn't so crisp anymore and my walk from the morning had worn off. Needless to say, I wasn't loving life as much as I had been the day before.
I rocked up to rehearsals, met the boys and got stuck into it. We weren't great. We weren't even good. And I think Alex Dyson secretly wanted to take lead vocals on Savage Garden's 'Break me Shake me'. They played us back on radio Friday morning. Jesus. We weren't just not good...we were terrible.
Friday came and I jigged work to get to know the Short Notice set list a little better...prac time rolled around and we made it through kind of okay-ish. I mean, we were better than Thursday but still sketchy as. The boys talked boy stuff after prac and as I sipped my beer I ran through horror stage scenes in my head. An old memory of playing the Bald Faced Stag hit me: curtains opening to reveal the two town drunks. That was my low point - surely tomorrow wouldn't be worse than that?
Saturday: one last run through. They boys had prepped and floralised their wardrobes. Bow-ties and upwards caps. They were ready for the gallery room in the Oxford Arts Factory. We sound checked half an hour before our starting time: the venue was empty. I ran away to Nevada, had some dirty cab wine and returned to a bustling room.
The keytair busted out the opening riff to Miami Horror's 'Sometimes' and it began. We raced through our songs, I made up jibberish lyrics and tried not to laugh through Sonia Dada. Fantabulous Brendan Macloud closed the night by hopping up and joining us, flamenco style, for Gaga's Telephone (which we royally f***d: hysteria) and then it was over. Just like that.
I'm still in a little bit of shock that we actually pulled off a half hour set ... that didn't suck that badly. Their producer said he hadn't expected it to be that good. A compliment really.
Thanks for coming those who did - was definitely one of the funnest times I've had of late.
For a more succinct tale of events check Tom and Alex's blog
love,
cactus
x
I was walking to work on Wednesday morning. It was a nice day: clear and crisp. I was having one of those 'isn't life great' moments. I was listening to triple j when Tom Tilley came on air and told Tom and Alex a predicament he was in: gig booked for Saturday night...but no one in his band could make it. Ummmmm.....help?
Alex piped up, keen to offer his keytar skills, Tom was then volunteered to play keys/synth. They recruited Lewi McKirdy from weekends for sticks and skins, and Damo from the web team on guitar. But no singer. What was the logical thing to do? Put a call out to triple j listeners.
'How funny would it be if I called?' I thought. But didn't and kept walking.
Some lamo guys who liked Pearl Jam phoned and threatened to make Tom Tilley like Pearl Jam (or else). And that's when the boys asked for a 'lady singer' to call up.
If that not a direct request, I don't know what it.
So I called and got through to their producer Ollie. I asked Ollie if the boys were joking. They weren't - he put me through. After screening me for availability and what music I was loving at the moment, I was in the band. Shit.
I waited for a set list that came through lunch time Thursday and freaked quietly when I realised what I'd volunteered myself to do: learn seven songs in two days. what was I thinking? The air wasn't so crisp anymore and my walk from the morning had worn off. Needless to say, I wasn't loving life as much as I had been the day before.
I rocked up to rehearsals, met the boys and got stuck into it. We weren't great. We weren't even good. And I think Alex Dyson secretly wanted to take lead vocals on Savage Garden's 'Break me Shake me'. They played us back on radio Friday morning. Jesus. We weren't just not good...we were terrible.
Friday came and I jigged work to get to know the Short Notice set list a little better...prac time rolled around and we made it through kind of okay-ish. I mean, we were better than Thursday but still sketchy as. The boys talked boy stuff after prac and as I sipped my beer I ran through horror stage scenes in my head. An old memory of playing the Bald Faced Stag hit me: curtains opening to reveal the two town drunks. That was my low point - surely tomorrow wouldn't be worse than that?
Saturday: one last run through. They boys had prepped and floralised their wardrobes. Bow-ties and upwards caps. They were ready for the gallery room in the Oxford Arts Factory. We sound checked half an hour before our starting time: the venue was empty. I ran away to Nevada, had some dirty cab wine and returned to a bustling room.
The keytair busted out the opening riff to Miami Horror's 'Sometimes' and it began. We raced through our songs, I made up jibberish lyrics and tried not to laugh through Sonia Dada. Fantabulous Brendan Macloud closed the night by hopping up and joining us, flamenco style, for Gaga's Telephone (which we royally f***d: hysteria) and then it was over. Just like that.
I'm still in a little bit of shock that we actually pulled off a half hour set ... that didn't suck that badly. Their producer said he hadn't expected it to be that good. A compliment really.
Thanks for coming those who did - was definitely one of the funnest times I've had of late.
For a more succinct tale of events check Tom and Alex's blog
love,
cactus
x
Friday, September 17, 2010
I wanna be...
Thursday, September 16, 2010
The Kids Are All Right

I love it when I know I'm going to love a movie as soon as the credits roll up. It was something about the sketchy type and vampire weekend soundtrack mixed with images of kids riding bikes, skateboards, snorting speed and then punching on in front of a televised wrestling match that made me know that 'The Kids Are All Right' was for me.
This is one of the most authentic and funny movies that I've seen come out of Hollywood. This unconventional family stole my heart, every member was such a well-formed, true person that I loved them all the more for their flaws. No one was idealised, no one was vilanised and this is one of the films that doesn't throw the only funny lines into the trailer.
Anette Benning is incredible as was her on screen wife Julianne Moore - and their relationship was so believable. Mark Ruffalo was excellent as the mister cool organic sperm doner to kids Mia Wasikowska and Josh Hutcherson who bring authentic teen characters to the screen.
What I loved about this film was the awkward moments. No one ever says cool comebacks at exactly the right time and that's what this movie did. It really drew out those awkward human moments in life. And I just loved that. One of my faves was when Annette Benning went on a rant about how they can feel good about themselves because they started to compost.
Not everyone in the cinema got it. My friend and I were in a pretty packed cinema, and there was only a few of us laughing hysterically the entire time. But if you think you tend to see things a little left of centre, then this is definitely the movie for you.
Thanks to The Crafty Minx for the tix - the saving there allowed me an extra choc-top :)
love,
cactus
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